You may browse all our artists by scrolling up and down this frame,
or you may go directly to a business card
by clicking on the artist's name in the list to the left.
Weaving is easily a lifelong learning process, and is probably the oldest craft. My goal is to produce something beautiful as well as functional.
For each project, I choose from an endless array of very old and/or very new weave structures, threads and colors.
Bonnie Beall
Paintings and drawings of my travels using watercolors, colored pencils, and graphite pencil.
"Hurricane Ridge"
Rebecca LS Buchanan
Painting is my freedom, communication without using words. I like to play with the juxtaposition of space. I see the beauty and evidence of different paint layers, markings and a history evolves, creating a sense of place, whether I am painting an abstract, figurative or buildings. The story within the painting is for the viewer to unravel and hopefully, continue to hold a mystery for the viewer.
rebeccalsbuchanan@gmail.com
Gordon Campbell
My mosaics are created primarily from discontinued linoleum and vinyl flooring samples. The backing is made from used shipping crates and furniture, making my art mostly an exercise in recycling. This one, entitled “Great Grill”, was based on a friend's photograph of a truck he (and I) found interesting, dents, rust and all.
Chung Choi
"Always White"
watercolor on rice paper, 18" x 24"
Martin Conley
I work in stone and wood. I'm always looking for new sources of wood for carving and/or turning.
My paintings get triggered by many things: kids playing, old barns, landscapes, sunrises, sunsets... and I'm inspired by people who work with color, whether it's gardening, quilting, jewelry making, setting a table, knitting a sweater, arranging a bouquet, taking a photo. I am comforted by Hokusi, who I think was in his late 90's when he said something like he was "almost getting it"...
"English Child’s Chair" – Oil
Penny Forrest
Working on large canvases or boards, mainly with oil, Penny paints large pieces often inspired by nature, or the intersection of man and nature. These paintings are rich with color and have depth and layers for the viewer to explore and question. Years of producing photo realistic renderings for engineers and architects make the pursuit of the abstract a sheer delight.
"Degree of Oxidation" – Oil on heavily textured canvas
Oil painting has become my favorite medium of art making. There is always something to explore in the world around us. When I paint, I work to both capture a scene and express an idea – it’s interpretation and process.
Christine Johnson
Beach stone jewelry with stones found on the Oregon coast.
Pat Krishnamurthy
I narrate life stories on a ground of home-cooked gesso poured on wood panel. This malleable ground allows me to inscribe into and build up the surface of my mixed media paintings, creating a time worn appearance.
"She Knew the Wildflowers by Name" – 16" x 20"
Mixed media on wood panel
Original oil paintings that portray the Natural World. You will find a variety of subject matter including landscapes, wildlife, still life, portraits as well as those beloved pets.
I like to explore the natural world as well as the color, form and texture that I find in unusual places.
"Blossom Impressions" – Archival Photograph 12" x 18"
Fran Richards
Fran Richards is an eclectic painter who moves between traditional and contemporary subjects.
"The Boy on Santa Monica Pier"
Victoria Lee Shepard
My style is based on impressionism – “a prolonged and concerted attempt to paint objects not the colour that we know them to be but the colour that we see them.” (Mark Powell Jones, Impressionism)
This is especially reflected in my landscapes, where contrasting colors, laid juxtaposed, create the impression of movement. Whether a meadow or body of water, specific colors – and the deliberate placement of these colors – aim to make the image move.
I am a hunter and gatherer, a collector of small objects. I use these small objects and varied materials to create narrative jewelry pieces. Putting these objects together in a piece creates a new context that is somehow more intriguing. The stories my jewelry tells are usually humorous or whimsical, and invite the viewer to use their imagination.